Linda Linko's Branding and Illustrations for Pastor Restaurant

Curator: Lotta Nieminen
date: November 26, 2014
Categories: Brand & Identity Design, Illustration
Tags: Lettering, signage

This branding from the desk of Finnish designer and illustrator Linda Linko for the Helsinki based restaurant Pastor is such a joyful combination of illustration and design that it has to bring a smile on your face!

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Deutsche & Japaner's Branding for Speicher7 Hotel

Curator: Lotta Nieminen
date: November 25, 2014
Categories: Brand & Identity Design
Tags: art direction, graphic design

Speicher7 is one hotel I wouldn’t mind staying in, if only to hoard all the printed material created by creative studio Deutsche & Japaner. Located in the city of Mannheim, Germany, the hotel has used their identity design to brand everything from menus to soaps and laundry bags.

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Benjamin Critton's Branding for Picture Room

Curator: Lotta Nieminen
date: November 24, 2014
Categories: Brand & Identity Design
Tags: graphic design

Picture Room, the art store offshoot of Soho bookstore McNally Jackson that specializes in rare prints, posters, and art publications, doesn't only host work from the likes of Dexter Sinister and Robin Cameron (opening in January), but also has a killer branding.


Behind the visual identity is artist and designer Benjamin Critton, whose work I’ve admired for a while now.

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La Vittoria Gastronomic Event Branding by lg2boutique

Curator: TypeEd
date: November 11, 2014
Categories: Brand & Identity Design, Experience Design, Typography
Tags: food, Typography
La Vittoria is an annual gastronomic event held at Montreal’s luxurious Ritz Carlton Hotel to fundraise for a different charity each year. Of course, we wanted to eat up the identity as soon as we saw it.
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Viva La Revolución Part II: Fernando Gaverd

Curator: David Grey
date: October 21, 2014
Categories: Art, Brand & Identity Design, Poster Design
Tags: graphic design, Mexico
Fernando Gaverd is another amazing Mexican designer. He creates some of the sexiest work I know; curves and lines that dance at the intersection of human form and geometry. He has the sensibility of a classic typographer and the curiosity of a graffiti kid. His symbols are amazing. They look like Frank Lloyd Wright inspired alien hieroglyphics. And his photography is stunning when used in his own projects. 

I’m always impressed by his sensitivity to scale and rhythm and movement and inspired by his confident mark-making. I have a feeling the world will soon be seeing much more of Fernando's work.

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