‘Resonance’ porcelain building art

Curator: Heydays
date: May 18, 2015
Categories: Architecture, Art, Environmental Design, Experience Design
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The work consists of sheets of paper made of porcelain to fit onto the structures in the space. They seem to have been caught and spread by gusts of wind, and momentarily derive their shape from clinging to walls and corners. An idea originally developed for a windy archway in Dublin Castle, the installation is reimagined and remade for Ventura Lambrate, taking on other meanings in this very different space and context.
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Unseen Photo Fair Amsterdam

Curator: Warriors Studio
date: April 23, 2015
Categories: Advertising, Art, Brand & Identity Design, Environmental Design, Experience Design
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We consider a lot of events to be design solutions, as they are essentially creative responses to problems. Unseen Photo Fair Amsterdam promotes and showcase the abundance of talented up-and-coming “unseen and undiscovered” international photographers, who may not otherwise have the opportunity to be seen, through a comprehensive program of events. 

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“Game Theory Beijing,” by Experimental Jetset

Curator: Warriors Studio
date: April 21, 2015
Categories: Art, Brand & Identity Design, Environmental Design, Experience Design
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Game Theory Beijing” is an exhibition forming part of the second Biennale at the CAFA Museum in Beijing, brought together five diverse exhibitors: YKON, Constant Nieuwenhuys (New Babylon), Temporary Services, The Yes Men and Experimental Jetset (Two or Three Things I Know About Provo). 

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”The Massage Is the Medium,“ by Yin Aiwen

Curator: Warriors Studio
date: April 20, 2015
Categories: Art, Experience Design, Motion Graphics
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“The Massage Is the Medium” is a piece of experience design by Chinese-born, Amsterdam-based designer and researcher Yin Aiwen, who’s work we discovered at Chaumont Design Graphique 2014.

The experience highlights the conditioning we are undergoing through extensive exposure to, and reliance on technology, specifically computers and the internet.

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Input, (more than) a typeface for (more than) code

Curator: Jesse Ragan
date: April 14, 2015
Categories: Experience Design, Typography
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David Jonathan Ross’ new typeface Input is an unbelievably limber workhorse, arguably the most versatile suite of screen fonts ever created. And Font Bureau has made it free for us lucky cheapskates to use (for private/unpublished purposes).

More than just a typeface, Input includes an interface to customize the fonts, with a mind-boggling array of options. Use the Interactive Preview to test different combinations of forms for characters like “a,” “g,” and zero. Use the sliders to adjust width and weight. Choose sans, serif, or mono. Then, with a few clicks, download your own customized version—generated on the fly, server-side.
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