The Church of Type Will Convert You

Curator: TRÜF
date: October 9, 2014
Categories: Art, Illustration, Information Design, Poster Design, Typography
Tags: Letterpress, Print, Typography
From Gutenberg to the Heidelberger press, moveable type sparked the mass production of printed books and was the first time information and ideas could be circulated on a global scale. The printing press was really our first Internet of sorts, and certainly the catalyst for typography and information and graphic design as we know it. 

Metal, ink, and sweat has largely been replaced by Adobe, Apple, and hundreds of digital type houses. And that's all good and “progressy.” But what's really exciting is seeing how these classic industrial printing tools are being reused and rethought to produce amazing new artwork that bridges the gap between old and new, fine art and design, and explores the cracks in between.
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"Do Not Open It," Erik Marinovich's Beautifully Hand-Drawn Letter

Curator: Karan Singh
date: August 27, 2014
Categories: Packaging Design, Typography
Tags: Lettering, Typography
San Francisco-based Erik Marinovich is kind of hard to ignore on the contemporary lettering scene. Not only does he have a respectable roster of previous clients as well as some incredible accolades, but the guy carved type into a tree stump with his bare freakin’ hands (okay, maybe he used tools, whatever). I use a Wacom every day and still struggle with chopsticks, so to go from brushes to chisels is just showing off. 
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Handwritten "Insta-therapy" with "Content Creator" Timothy Goodman

Curator: Gemma O'Brien
date: August 22, 2014
Categories: Art, Typography
Tags: branding, calligraphy, graphic design, Typography

In the last few years, designers and non-designers alike have embraced typography and lettering in social media to illustrate inspirational quotes, song lyrics, declare their love of coffee and complain about Monday mornings. In Didot all-caps, fashion mavens proclaim “Dress Well or Die Trying,” while avid travelers urge us to “Seek Adventure!” in  a loose-hand written script. 


For budding letterers, readymade quotes are the perfect starting point to apply technical ability, show your calligraphic prowess or experiment with a new lettering style. But there’s only so many times you can see “stay hungry,” “follow your dreams” or “quit your day job” before these affirmations become empty phrases that simply look nice.  


I'm always looking for examples of lettering or type that  illustrate content that's self-generated and honest. I believe the best thing a designer can do with typography when not limited by an advertising brief is to take something personal and make it universal or remind us of the realities of human experience. 


With this in mind, my final Design Envy post was inspired by a series of handwritten Instagram posts from Timothy Goodman (of "40 Days of Dating" fame) titled “Insta-therapy.” They take the form of quotes or stories based on past relationship experiences, fears and memories. In the flurry of cool, over-stylized type and recycled quotes,  these represent a refreshing starting point to consider ideas about the designer as author and the idea of authenticity in lettering and typography.  


I interviewed Timothy Goodman to find out what the Insta-therapy project is all about.

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I Love Dust: An Interview with Co-Founder and Creative Director Mark Graham

Curator: Gemma O'Brien
date: August 20, 2014
Categories: Book & Magazine Design, Illustration, Typography
Tags: Design, illustration, Lettering, Typography

There are few design studios whose work I recall fawning over when I was studying design that still hold my attention now. But seven years after first seeing the work of UK-based studio ilovedust (iLD), I remain envious of their attention to detail, badass-yet-beautiful ornament, killer murals and illustrative approach to type.   I caught up with co-founder and creative director Mark Graham to chat about some of his recent work, what it's like being a boss and who he’d most like to get stuck in an elevator with.  

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Martina Flor Sends Her Typographic "Letter Collections" via Snail Mail

Curator: Gemma O'Brien
date: August 19, 2014
Categories: Art, Typography
Tags: calligraphy, Typography

I first came to admire Martina Flor’s work when I discovered Lettering vs Calligraphy, a project she worked on with calligrapher Giusseupe Salerno. It continues to be a highly valuable resource that explains two distinct ways of crafting letterforms to new designers. Her latest side project, Letter Collections, features equally delightful letterforms, this time printed on postcards that she's sending to people around the world. 

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