Trading Cards of the Ancient Sages

Curator: David Grey
date: October 24, 2014
Categories: Art, Corporate Communications Design
Tags: Color, graphic design, pattern
I was recently turned on to the work of Mariana Abosolo. I stumbled upon a blog post with a few of her images and a link to a Flickr page

I don’t know anything about her ,but she’s making some incredible work. Her pieces look like antique trading cards, or outsider art cigarette packaging, or flags from a lost continent or tantric drawings made with office supplies. They feel otherworldly and lost in time. Each object looks found rather than made. 

I love how the scale of each piece is difficult to recognize. Sitting with Mariana’s work transports me to another era…and I’m not sure where or when that is. Subtle and raw. I wish I had made it.

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Music for 18 Musicians

Curator: David Grey
date: October 23, 2014
Categories: Design in Music, Poster Design
Tags: education, graphic design
At Santa Fe University of Art and Design I teach a course called "Design for Music," in which students have the opportunity to work on LP/CD/mp3 music packaging in a group studio environment. 

I’m continually impressed by how the structure of this course helps students relax into the creative process. Last week, we took a playful three-hour break with an evening workshop on repetition, pattern and rhythm. I introduced the designers to Steve Reich’s "Music for 18 Musicians." We played it a few times in a row while designing imaginary performance posters. 

Within one evening some incredible work transpired. Their responses were playful and unrestrained, intuitive and intellectual. The inspiration of it all made me crave an immediate studio session of my own. I’m so glad to have the opportunity to share some of this rich student work with you.
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A Wandering Mapmaker: Rachel Freeman

Curator: David Grey
date: October 22, 2014
Categories: Advertising, Art, Design in Film, Design in Music, Poster Design
Tags: graphic design, student
Rachel Freeman is changing the landscape of graphic design in northern New Mexico. She’s a young artist who already shows the qualities of a creative mystic. I love how she manipulates color and form to resonate sensation and emotion. 

Her reinterpretation of 2001: A Space Odyssey and the commissioned poster for Santa Fe University of Art and Design are magnificent. She builds supportive grids to create compositions that feel like flowing rain and the flickering of a night sky. They instantly make me smile. 

Whether it's commercial work or self-initiated projects, Rachel explores graphic design as contemplative art. She's authentic and self-reflective. If this is the work of a designer who's at the beginning of a life-long practice, then I can't wait to see how her creative path unfolds.
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Viva La Revolución Part II: Fernando Gaverd

Curator: David Grey
date: October 21, 2014
Categories: Art, Brand & Identity Design, Poster Design
Tags: graphic design, Mexico
Fernando Gaverd is another amazing Mexican designer. He creates some of the sexiest work I know; curves and lines that dance at the intersection of human form and geometry. He has the sensibility of a classic typographer and the curiosity of a graffiti kid. His symbols are amazing. They look like Frank Lloyd Wright inspired alien hieroglyphics. And his photography is stunning when used in his own projects. 

I’m always impressed by his sensitivity to scale and rhythm and movement and inspired by his confident mark-making. I have a feeling the world will soon be seeing much more of Fernando's work.

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Viva La Revolución Part I: Marco Lukini

Curator: David Grey
date: October 20, 2014
Categories: Art, Poster Design
Tags: art, Mexico
Mexico is where it’s at. Some of the most creative, open minded and hardworking designers can be found just to the South. Marco Lukini is certainly one of them. Combining a photographer’s eye with a sculptor’s mind, Marco creates contemplative image-making that channels Lazlo Moholy Nagy, French philosophy and the Incredible Hulk. 

Before finding graphic design, he studied film and photography in Mexico City. His creative process is an interweaving of digital and analog techniques. Marco likes to loop technology and remix his own world. With the force of a hammer, he constructs, deconstructs and reconstructs the principles of magnetism through the elements of design. I’m constantly inspired by the weight, strength and truth of his black-and-white imagery.
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