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Designer Peet Fetsch created this swell poster for the The Pines. It was sold at their concert for the Real-Phonic Radio Hour. |
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For several years now, Ben Levitz and his collaborators at Studio on Fire
(SoF) have been creating an amazing desktop calendar. This year’s model is
absolutely stunning. In addition to Ben’s work, it also features
illustrations by Sasha Prood, Brian Gunderson, John Malta, Jolby and
Karolin Schnoor. |
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In 1997, Michael Rock and Susan Sellers (assisted by Alice Twemlow and Ole Scheeren) proposed a concept for a museum of design where objects are left in their original context instead of being removed from their natural environment. The Museum of the Ordinary was defined by four points in New York City and comprised 30 streets in Manhattan. The collection of this museum contained all the objects which happened to be in the given space. Pedestrians were turned into museum visitors and confronted with museum conventions, for example, descriptive labels attached to everyday objects such as manholes, city signage, street lamps, buildings, etc. The project questioned the traditional museum practice of decontextualizing objects and presented an integrated alternative as well as the stories of these seemingly mundane objects. Today the authors are exploring the possibility of creating a virtual version of the museum. From the upcoming issue of Works That Work, a magazine of unexpected creativity. |
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DARK IGLOO is a company that specializes. Founded by recent YGX winners Dave Franzese and Mark Miller, it should, without a doubt, be on your radar. Their art direction skills will draw you in, and their sense of humor will keep you clicking “refresh” on their blog. |
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About five years ago, I discovered Hush design studios through their motion design work. I instantly became a fan. Since then, their ability to innovate and push beyond the boundaries of motion graphics into interactive and experience design is what has continuously interested me. |
